Lil Dis, Lil Dat
Goodbye Grantland
I’d been meaning to write about the demise of Grantland, the ESPN sponsored website that was unceremoniously shuttered by the worldwide leader last week, but I was still too pissed off about the whole thing to be cogent. Of course, there are some who would claim that I must be permanently pissed off because I am hardly ever cogent, and to them I would simply say, “You’re probably right”.
I would then go on to remind them that since the topic at hand seemed to involve “piss off”, that’s exactly what they can do.
Goodbye Grantland
I’d been meaning to write about the demise of Grantland, the ESPN sponsored website that was unceremoniously shuttered by the worldwide leader last week, but I was still too pissed off about the whole thing to be cogent. Of course, there are some who would claim that I must be permanently pissed off because I am hardly ever cogent, and to them I would simply say, “You’re probably right”.
I would then go on to remind them that since the topic at hand seemed to involve “piss off”, that’s exactly what they can do.
But back to Grantland. In June of 2011, when
I first started writing here, one of the first things I posted was a
notification that Grantland was commencing operations, that it was the
brainchild of Bill Simmons and that it would be interesting to see what became
of it. I said that it was “worth checking out”. It sure was.
Grantland became one of the touchstone sites on the internet almost as soon as
it began publishing its content. It quickly morphed into a place where
you could find first class sports writing but also intelligent and unique
cultural articles concerning film, television, the state of journalism itself
and a host of other topics. Simmons was, by all accounts, an innovative
editor and a good guy to work for. He was also, by any reliable measure,
a pain in the ass for his superiors. He had a reputation for pushing hard
for the stories he wanted, regardless of the corporate consequences, he would
tweak the nose of the powers that be in Bristol (the Connecticut sanctorum where ESPN's corporate headquarters can be found) and he would knowingly give the
business to some of ESPN’s biggest business partners. Most notable of
these was the time he got himself suspended for calling Roger Goodell a liar,
which to me is a bit like calling Michaelangelo a “painter”.
Of course he paints, and he’s a damn good painter.
But Simmons was also extremely good for ESPN and
did exactly the job he was hired to do – expand the company’s internet reach,
produce good content and ideas and make the brand relevant to a new universe of
viewers/readers. He developed the concept for the brilliant “30 for 30”
documentary series, recruited amazing talent and made ESPN, if not “hip” at
least tolerable to a generation of fans who had pretty much soured on Chris
Berman’s swami routine. Simmons was also, despite the confrontations, always
open in his admiration for the opportunities presented him by ESPN, once
devoting an entire podcast to the story of his improbable rise from bartender
to media phenomenon and how pivotal the people at ESPN (whom he addressed by
name) had been in making his career a success. So what else would you do but fire him, which ESPN did earlier this year.
Then there was Grantland, which had to be
considered the crowning glory of his tenure at ESPN. Named after
legendary sportswriter Grantland Rice the site was universally respected both
for its approach to stories (which was amazingly eclectic yet retained a
recognizable house “style”), and for its talent. Bill Barnwell on
football, Wesley Morris on film, Katie Baker on hockey, Charlie Pierce (as
documented in this blog) on whatever he felt like writing about, plus a myriad
of other talents along with Simmons – you didn’t have to like everything
on Grantland, but, trust me, you would like something. On any given day
you could find an oral history of the Pacers- Pistons brawl in Detroit, a
review of the latest films, a podcast with the President of the United States
or a bracket by bracket tournament conducted between the greatest movie sequels
of all time.
So ESPN had a problematic but valuable group of employees who
had created a vibrant and well-respected website loaded with talented and
devoted writers, editors and staff - what else could you do except shut it
down?
ESPN has issued the usual drivel about “difficult
times” and “hard choices” that basically means they didn’t think they would
make much money off the website. This is
nonsense. The content at Grantland was so good that it seems impossible to
fathom that it didn’t make money for ESPN at some level. Just the sales
of “30 for 30” box sets, marketed so effectively via Grantland, would probably
provide some decent revenue. Nonetheless I accept that the site wasn’t
conventionally profitable. The problem I
have is that it should have been – that the reason it wasn’t making money had
little to do with the site and everything to do with the network’s attitude
towards the site. It was never promoted
properly, was never featured as the prime location it was and gained significant
notice from its parent only when it was being handcuffed, chastised, hushed up or
finally, shut down.
ESPN claims their decision was based on the bottom
line – but here’s the real bottom line.
If you can’t make money off one of the best websites around that is a
failure of the business department and senior management, not the editorial department
or writing staff. So why wasn’t there a
purge of the people who managed to make chicken shit out of chicken salad? Because, at the end of the day, the network saw
Grantland as a pain in the ass, just like they saw Simmons. Sure, they could have toughed it out for the
sake of their audience and the concept of good journalism – but – that would
have taken some effort, planning and, in all likelihood, some bloodletting
amongst the ruling class at the network.
ESPN was sick of worrying about placating the NFL, hand-wringing over
interviews with political figures, monitoring the movie reviews for disparaging
comments about Disney films or staking out a claim on real journalism. It was easier to let the whole thing go. And we’re all the worse off for it.
Professional sports is entertainment – and very
good entertainment. It tries to market
itself as somehow “character building” or a force for good in the community –
but that’s all nonsense. If there is
that impact it’s because of the devotion of the fans who make the brand capable
of raising dollars for charity or just making people feel good. The teams just play games that people like to
watch, discuss and read about. And that’s
enough – it really is.
If there is any other impact that pro sports have
(and I’m including big time college sports in this equation because, well, big
time college sports is professional) it is that it can sometimes serve as a
useful microcosm of the larger issues in society. That’s why Ken Burn’s “Baseball” actually works as an historic review of the issues of
race and labor relations in America. It’s
why Jim Bouton’s “Ball Four” was
correctly identified as one of the most influential books of the last
century. And it’s why the debacle that
ESPN has created over Grantland is a perfect example of what’s wrong with
corporate journalism today. The reason
there is a complete lack of respect for the media these days is because things
like this happen. The corporate parent calls the shots – and it is much easier
to run a website that only posts the scores and when you can tune in to the
games than one that writes things that are truly interesting. Oh, there’s always an excuse - “we worried about
editorial control” or “times are tough and we had to tighten our belts” but the
reason you see less and less analysis and more and more talking heads shouting
at each other is because no one in control has the guts to fight back. The same cowardice that led ESPN to remove
its name from a report on concussions and football (see here: http://www.nytimes.com/2013/10/10/sports/football/by-shunning-concussion-documentary-espn-gives-it-a-lift.html?_r=0)
is behind the Grantland decision. They
were cowards then, they are cowards now and, truth be told, they’ll be cowards
tomorrow. I would say that the
executives who made this decision will have to live with it on their
conscience, but you need to have a conscience for that to be true.
In all of this my heart goes out to the people who
have lost their jobs. The “interim”
Editor in Chief Chris Quisling, I mean Chris Connelly, has said that Grantland
will “honor the staff’s contracts, including exclusivity”. It’s a contract Chris – you have to honor it,
and the “exclusivity” part – we know that means you won’t let the one’s you
want to prevent from joining Simmons get away so easily. You’ll make them cover curling or something. Meanwhile a guy like Charlie Pierce, who was
doing tremendous work, has to go through this shit yet again. The guy must worry that he’s like a fart at a
dinner party. He’s left the Boston Phoenix,
The National and now Grantland on the ash heap of history. It’s not you Mr. Pierce, it’s the man. That goes for all of the writers, Simmons and
the other contributors to Grantland. Thanks
for what you did and what you had the guts to try to do. Too bad you didn’t have a network with the
guts to let you succeed.
The argument about genetically modified foods and the role
of large corporations like Monsanto in marketing the same is now in full boil
on the internet. People who have never
done more than read the caption on a Facebook photo suddenly feel compelled to
warn the planet of crops so dangerous that they are seemingly only one step
away from joining the Taliban and invading our cities. Despite the clear and present danger of an
enraged onion knocking on my door I will nonetheless try to clear up a few
myths surrounding this topic (while always understanding that for the true
believers there is no way to convince them that GMO doesn’t stand for
“Guaranteeing Mankind’s Obliteration”).
Myth One: Modifying Foods' Genetic Makeup is “New
Science”
I would hope that everyone is aware that we’ve been
modifying the genetic makeup of foods since, probably, prehistoric times. A banana in its natural state is a finger
length inedible sprout. It’s been so
heavily engineered via selective breeding and genetic manipulation that it is
now actually incapable of independent reproduction (that's why there are no seeds
in bananas). There are now hundreds
of varieties of this one crop (most bananas in tropical countries are used for
cooking and aren’t as long or soft). All
of this is due to a prolonged period of genetic manipulation. But nobody calls
for banning bananas (say that 5 times fast). In
truth – almost all of our foods are genetically modified to a certain extent –
it’s just that until we developed the knowledge of the genetic structure the
means by which these modifications were introduced into the plant was through
selective cross breeding in greenhouse laboratories or via independent farming
“trial by error” horticulture. This was
actually often far more dangerous as it could result in the development of a
product that might mask vulnerabilities.
Take the potato as one example. Having been introduced to the Old World
following the Spanish conquest of South America it became a sensation in
Europe, where it was bred into a larger, more easily harvested variety. This then became the staple food for many
countries – including, most famously, Ireland.
Unfortunately the modification of the potato crop by what would nowadays
be deemed “natural” processes led to the plant losing its disease
resistance. When this resulted in the
failure of the crop in mid 19th century Ireland millions died or
were forced to emigrate. If current
scientific methods had been available it is quite possible that the most
traumatic event in Irish history could have been avoided.
Yes – current methods for modifying crops are more
sophisticated – but this does not mean they are more or less dangerous than the
methods used in the past. The science is
largely the same – everyone has always been trying to find out how to change a
plant to make it bigger, tastier, more resistant to disease, cultivable in
drier soil, impervious to higher or lower temperatures, etc. The difference is that now we know where to
go to within the plant to make that happen.
It is the method that is new – not the science.
Myth Two: The Debate Over GM Foods Pits Big Business
Against “The Little Guy”
Actually – no. This
debate is really one group of corporate giants against another. It’s just that one is much more skillful at
remaining hidden and manipulating the public.
That side is not the one that includes Monsanto, which has proven
incredibly inept at generating good publicity.
No – it would be the agribusiness concerns that oppose greater expansion
of GM usage that are the stealth bombers of this fight.
The large concerns that have, for example, managed to get
the EU to threaten to allow a ban on GM crop importation (that’s right –
“threaten” – the EU has not banned all GMO’s, as many American activists like
to allege) are doing so not because they have any real fear of genetic
modification, but because they worry about their own bottom line. This is what European science actually
says about GMO’s:
The
main conclusion to be drawn from the efforts of more than 130 research
projects, covering a period of more than 25 years of research, and involving
more than 500 independent research groups, is that biotechnology, and in
particular GMOs, are not per se more risky than e.g. conventional plant
breeding technologies.
All I’m really saying here is that you shouldn’t fool
yourself into thinking that all the big money sits on one side of the
controversy . There are entrenched and
powerful interests with less than pure motivations all over the place.
Myth Three: There Is No Way To Tell What Food Is Modified
And What Isn’t
There is an enormous amount of outcry over the fact that not
everyone has seen fit to require companies that make use of GM foods in their
products to advertise that fact on their label.
When you ask these people what type of GM they wish to have notified the
typical answer is “anything”. In which
case you would simply put a label on just about every food known to be consumed
by humans (see “banana”, above). Eventually
this demand is rolled back and labelling is requested “only” of those foods
that have some degree of genetic engineering via gene splicing or “laboratory
enhanced” means of altering the crop.
Unfortunately – this again would cover just about anything that includes
corn starches, most sugars, large amounts of rice and even more products that
have some contact with the commonly used means of putting together processed
foods.
Now I don’t necessarily like processed foods but I’m smart
enough to realise that if I buy a box of Pop Tarts they probably weren’t
sourced from a commune in upstate New York.
The ingredients (things like “blueberry preserve and fruit flavouring”
or “enriched wheat”) are listed – but the somewhat subjective designation as to
the genetic origin of those ingredients is not.
Big freaking deal – if you assume that there are no such ingredients in
the product just because it isn’t listed on the label – you’re an idiot. The best way to insure that you aren’t
getting genetically modified foods if you don’t want genetically modified foods
is to look for the label that says “This product was made without the use of
genetically modified ingredients” or “100% organic”. Believe me – if the producer of the product
went to the trouble of keeping GM ingredients out – they’ll tell you about it.
This really goes to the core of the problem with the “nanny
state” debate. The assumption on the
part of any group taking a position on something is that the sole reason to
disagree with them is lack of information.
To the anti-GM activists it is the failure to inform that keeps the masses
ignorant of the truth. In reality it is
much more reasonable to assume that people simply don’t believe that version of
the “truth”. We’ve all heard about this
controversy – and the conclusion many have reached is that the proper term for
corn that has been genetically modified and corn that hasn’t been
genetically modified is – wait for it – “corn”.
I don’t need more information – the science has supplied enough evidence
for people to decide that there is no rational basis to differentiate. No – we are not all just too stupid to know
what is good for us. No – we are not all
victims of corporate manipulation. No –
we are not all desperately waiting for enlightenment on this subject. I would
never prevent a seller from truthfully telling someone they have not used a
certain ingredient in their product.
Since this is the case all I would say is don’t make other producers
notify me of a distinction that is, according to a perfectly rational argument,
not worth making.
There are other myths out there and there are, admittedly,
improvements in protocols that can be made.
But I can’t see the GMO argument as anything more than another version
of modern Luddite behaviour. “Science”
is neither enemy or friend, conservative or liberal, capitalist or
communist. It is simply a process, a
means of analysing data through the use of hypotheses, experimentation and
conclusions. It is people who are ideologues
– but increasingly it is the scientific message itself that is seen as the
purveyor of a position. Look – the fact
that the icecaps are melting is not a manifesto. The fact that vaccinations have saved
millions of lives is not a party political platform. And a more efficient method for growing food
in an increasingly populated world is not dogma – it is opportunity and should
be treated as such.
Excerpt From "Along the Banks"
I've begun writing a guidebook/brochure that chronicles a bike trip I am taking along the proposed route of the Dublin to Galway cycle path. The majority of this will follow the course of the Royal Canal and I'm taking my mountain bike along the rough trail that currently exists in the hopes that it will help get the actual greenway, which is one of the best proposals for Irish tourism to come along in years, built. So I'm going to take a trip along the canal and put down what I see with little side trips to discuss Croke Park, the original Bloody Sunday, Brendan Behan, fishing in Ireland and whatever else tickles my fancy. Here's a very rough draft from the manuscript as a sneak preview.
Every journey begins somewhere – and for the purposes of
this book our beginning is on the North Wall Quay next to the metal drawbridge
that marks the junction of the Royal Canal with the River Liffey. The Liffey is a tidal river, and it is never going to be confused with the Thames, Mississippi or even the Shannon in
terms of size, grandeur or economic importance.
But the people of Dublin have great affection for the river, celebrating
it in song and story, and while its length may not be great it has a history that stretches from the Vikings through numerous wars, famines, kingdoms, empires, republics, declines and rebirths. So before starting on the northside adventure
that will follow the course of the Royal Canal have a pint in the Ferryman pub over on the banks
of the southside, just a stone’s throw away from the Grand Canal (the older, southern, equivalent of the Royal) and gaze across the expanse of the river that
provides one endpoint of the journey that lies ahead.
From the junction of the Liffey and the Royal, looking towards The Ferryman pub. |
The symbol of the river is the famed “Anna Liffey” (Anna
Livia) and a portrait can be found on an electrical box found at the junction
of the canal and river. Of course –
there is no "Anna Liffey" – the name is actually a derogation from the Irish Abhainn na Life (meaning, believe it or
not, “River Liffey”) but that hasn’t stopped artists from James Joyce to Pete
St. John imagining the river as a woman.
Perhaps the most (in)famous attempt was a certain statue originally
erected on O’Connell St. of a mermaidlike figure reclining in a fountain of flowing
water. Entitled “Anna Livia” the statue
immediately fell prey to Dubliners’ inclination to provide nicknames to
anything that remains in the city for more than a few hours. The statue alternatively became the “Biddy in
the Bidet”, “Hoo-er in the Sewer”, “Chick in the Crick” and the one that ended
up becoming a nearly universally accepted moniker – “the Floozy in the
Jacuzzi”. The statue was moved from
O’Connell St. to a less central location upstream some years ago – but we’ll
see a few statues and memorials on our way up the canal.
So let’s get started.
A portrait of Anna at the start of the canal |
The "Floozy" back when she lived on O'Connell Street |
The area where we begin has been transformed in the last twenty years from an industrial wasteland to a booming financial centre (well – sometimes more booming than others). Known as the "International Financial Services Centre" (the "IFSC" to most) it has its origins in a tax concession that the Irish Government managed to obtain from the European Union. The EU decided that it would allow businesses that agreed to relocate to the approximately one square mile area inside the IFSC to avail of a 10% tax rate. The offer proved so attractive that soon the area was filling with international banks and fund managers - which led the Germans and other EU countries to reconsider whether they should have given the break in the first place. Soon it was announced that the IFSC would have to conform to the same tax rate as the rest of Ireland - that the "special zone" status of the IFSC would be lost. Ireland, faced with the prospect of the big boys taking their ball and going home asked the EU for a clarification - "Are you saying" they queried, "that all the corporations in Ireland need to have the same tax rate - that we can't have a lower rate for the IFSC crowd?" "That's exactly what we're saying" replied the bureaucrats. "Grand so" said Ireland, and lowered the corporate tax rate for everyone. There it sits to this day, at 12.5% the lowest corporate rate in the EU, which bugs the hell out of a good few people in Brussels. Before the tax break was given you were a thousand times more likely to run into a pack of wild dogs in the area of the IFSC than you were a banker. Some might pine for the days of the wild dogs, but let's not be cynical just at the start of the trip.
The Samuel Beckett Bridge from canal side and at sunset. |
One of the Liffey’s newest bridges – the Samuel Becket, built to resemble a giant harp, looms in back of you as you make your way up the first stages of the canal past Dublin’s convention centre and across its above ground rail line, the Luas. Almost as soon as we begin our journey up the canal side – well - we have to leave the canal side. That’s a bit of a bummer – but the canal is shut from a lifting bridge through a large series of rail yards and switching stations. Probably for the best – and we only have to take a short detour up Seville Place (one of Dublin’s rougher neighbourhoods) to Amiens Street – where we’ll take a right at the Five Lamps and head up the road about a quarter of a kilometre until we get to Charleville Mall and the Newcomen bridge where we can rejoin the canal after about a five minute cycle. It is here we meet the first of the 46 structures that will be found the length of our journey. It’s time for a word about locks.
The word “lock” has its origin in the old English/proto
Germanic word “Luik” or “Lucan” which meant to close, fasten or
create a barrier. This is more than a
bit coincidental in that there is a town, Lucan, that sits very near the course
of the Royal Canal but the name of the town comes from the Gaelic Leamhcán meaning “place of the elms”, and has no connection with the
barriers that allow boats to traverse a canal.
The system of locks are among the most ingenious engineering feats of
the pre-industrial world. The ability to
figure out how to close a watertight door and fill a chamber with water in such a
manner as to lift a boat uphill across hundreds of miles sounds tough
enough. Consider now that these chambers
were built during a time when there were no electrical or internal combustion
engines to facilitate the job. Now
consider that much of the stonework set in place to achieve this engineering
marvel is still sitting, and functioning, just as it was when the canal was
first built. So the locks will be
referred to in the text of this book mainly as milestones – points of reference
to let you know just how far along you are – but take a minute to consider the
work that they do and that went into making them as you pass on your way.
From the first lock
the trip proceeds along a well maintained but very urban pathway. There are
some low bridges ahead so proceed with caution and, as is the case with any
urban cycling watch out for dogs, broken glass and winos as you get started on
the first kilometre of the trip. As you
duck your head under the bridges your eye will be drawn ahead and upward to the
first, and largest, of the monuments you will see along the banks of the
canal. Looming over you is the historic
majesty of Croke Park.
As the sign outside
the stadium says Croke Park is the home of the GAA - the Gaelic Athletic Association. Along the course of the canal
you will see many other reminders of the extensive popularity and reach of the
GAA throughout Ireland. It is the
governing body of the traditional Irish Sports of Gaelic Football, Hurling and
Camogie (and of handball – which is deemed a Gaelic game and whose domestic
headquarters is found just outside of Croker).
That description makes the GAA sound rather simple, sort of like the
NCAA in America or (God forbid) FIFA in soccer.
But the GAA is more than that -it is a cultural touchstone in Ireland and its headquarters is
an historic outpost in its own right.
The scene of the original “Bloody Sunday” massacre, when British troops
slaughtered players and fans after bursting in to a match on the 21st
of November, 1920, resulting in 14 deaths, Croke Park's significance transcends the world of sport.
The event is depicted in Neil Jordan’s film “Michael Collins” and the
scene is found on YouTube here: https://www.youtube.com/watch?v=QOiQRkK1tyg
The clip is not entirely
historically accurate but the general thrust is correct – the player depicted as being shot is Thomas Hogan, and the “Hogan Stand”, on the north
(far) side of the stadium, is named after him.
The canal actually passes under the stand at the “canal end” of the
park, and so will you as you make your way up the canal. It is through the canal end that the British
forces entered the park on that fateful day. But the GAA,
and Croke Park, is about more than the events of Bloody Sunday. The formation of the Association, back in
1884, occurred during a time known as the “Gaelic Revival” which included
efforts to preserve the Irish language, develop the Irish theatre and promote
Irish folklore and legends. All these
helped develop a sense of Irish nationalism, but by any objective measure the
most successful was the GAA. Traveling
the one strip of land along the Royal Canal you will see dozens of GAA pitches
and clubs – and that's not surprising since there are over 2,300 GAA clubs on the island of Ireland alone. All of those clubs, and all of that activity,
leads back to Croker at the end of each summer as the various counties compete
to win the All Ireland finals in Hurling and Gaelic Football (the Liam McCarthy
and Sam Maguire cups, respectively). On
final day the stadium will be filled with over 80,000 fans. Similar crowds have been packed inside for
concerts, rugby matches and the Special Olympics. Any trip down the canal begins (or ends) in
the shadow of this monumental edifice.